Charles Wiley – Corn Man Chapter 2: Corn Inc. Cometh

Charles Wiley
Charles Wiley

 

Corn Man Chapter 2: Corn Inc. Cometh
Corn Man Chapter 2: Corn Inc. Cometh

Charles Wiley is back with us to talk about the Chapter 2 of the Corn Man story – Corn Inc. Cometh, as well as what sparked his idea for International Corn Man Day! 

Checkout Chapter 2 and all things Corn Man at the link below. 

➡️ https://cornmanofficial.com/shop/

Transcription

Brian: Charles Wiley has been writing music and playing drums for 25 years. He currently lives in Los Angeles and plays with various bands and artists including rock band Dark Horse, Rising Riot, award winning singer songwriter Chris Angeles, and Americana band Circa 62.

In addition to playing drums, he also writes music for television. His music has been played on Oprah, Dateline, NBC Late Night with Seth Meyers, The Dr. Oz Show, The Young and the Restless and more.

Charles created the Corn Man project to bring awareness to how much corn is in everything we eat. Corn Man is an ongoing action adventure children’s book series, and progressive rock concept album, Charles was inspired to call attention to the issue using music and humor.

Corn Man hopes to be the conversation starter and tackling the complex issues surrounding the food industry, the environmental impacts of it, and the unsustainable nature of how we eat and grow food.

Charles Wiley, welcome back.

Charles: Thank you so much Brian, and pleasure to be back. I’m really excited.

Brian: For those of you who are listening, you may remember Charles from an earlier episode and we’ll link to that in the description, where we first met him met the Corn Man project, and what’s that’s all about.

And now we’re kind of getting back together and being updated on what’s happening in his world, his upcoming book, which is Corn Man Chapter Two.

So that should be out in paperback next week. At the time of when we’re recording this by the time you hear it, it may already be out.

Charles: That’s the hope.

Brian: Yeah. So let’s go right into it.

We were talking a little bit before and you had mentioned, International Corn Man Day, just celebrated. So why don’t you tell us a little bit about what that is?

Charles: Well, that was yesterday. And I had this idea, How can I bring more awareness to what the Corn Man project is about, and what it’s doing at one time?

I thought, well, let’s have a day, a Corn Man Day. And I liked the way Corn Man day sounds. But for some reason, International Corn Man Day, just had a more grand name.

I was like, I like that, plus two, I do have people that support the project overseas. And you and I both know, tackling our food system, the environment, it’s a worldwide solution that we’re looking for. It’s not singular to the United States or to any other place.

So I said, let’s do International Corn Man date. And my goal was two fold.

One, I wanted to help people find one small thing that they could maybe implement into their lives that would help reduce the amount of processed corn and their food. In September, I posted a suggestion a day.

And they’re very simple, very basic things. But the goal was, I believe, a lot of people don’t realize, since there is so much corn in the processed food for one, but it’s also in the field that gets the food to the grocery store, and pesticides that get sprayed with all this stuff.

The animals being fed corn, it’s such a big part of the entire food system.

My goal was let’s find simple solutions, we can all implement something, go to a farmers market for the first time.

How does that impact how much corn is in your food?

Well, it shrinks how far your food has to travel to get to your front door. That in and of itself reduces how much corn is in your diet.

Everything from, I had let’s do a fruit tree swap. You plant an apple tree in your backyard, your neighbor plants a pear tree over a few years. You guys have apples, you have pears, you give them out, things like that.

The second component was I wanted everyone that had a Corn Man shirt to wear it on that day, and to post a picture on Instagram with the hashtags, Corn Man International, and Corn Man Day. And the goal was to just start sparking the conversations, I say it a lot in my BIOS and things sparking the conversation. And to me, that’s where it matters.

I think for people, once you get them thinking about that excited about that, then it’s up to them, they start checking the food labels, they can do their own investigation.

So that was a goal behind International Corn Man Day. I received probably over 20 or so pictures from people posting with the shirts. And I know another 25 to 30 we’re out there wearing them.

So by all accounts, we probably had close to 65 people roaming the streets with Corn Man shirts, getting the word out there in their own way.

That was the goal behind the project. And my goal is every September 17, it’ll be International Corn Man.

The goal will be let’s spark those conversations. Let’s wear the shirts and let’s reduce our impact of using so much processed corn in our food.

Brian: September 17, Okay, something to keep in mind.

And that’s really a cool concept because I mean, I’m not sure how many of you guys know out there. There are a million different days every day of the week.

You can go and find on a calendar that it’s ice cream day or that it’s butterscotch day or that it, I mean, just any thing you can think of. There is a day and it’s a great idea to be able to take your passion, whether it be a business or a cause, or a project, and being able to make a day out of it.

Just put in some just a little bit more emphasis one day a year for what you’re doing. That’s fabulous.

I love the idea of having a specific action item that a person could do. You don’t see that very often. But if you think about it, when it comes to holidays, there’s a lot of action items that are automatically tied to it.

So on St. Patrick’s Day, you’re wearing green, you know, right and so forth. So that’s really cool.

Charles: Thank you.

Brian: Mind if I asked, how did you come up with that? Was it a specific inspiration? Or did it just pop in? or What were you thinking?

Charles: It just popped into my head. I will say, I was reading Brendon Burchard book, High Performance Habits, I believe it is. There was a chapter about controlling your own energy.

And it’s something I struggled with in the past and continue to with a project. Maybe you can relate Brian, but when you’re knee deep in something, and it’s hard to see the finish line, it’s easy to beat yourself up.

It’s easy to be like, I’m kind of I’m over it, but you can’t be over because you’re not finished yet.

This chapter was really talking about generating energy and you generate your own energy.

I was like, I need to be better at that. How can I be better at that?

That for some reason, I believe dovetailed into what can I do to generate more momentum more energy for Corn Man?

I am releasing chapter two on paperback. That’s a big deal. But at the same time, how can I bring all of these scattered pieces together?

How can I bring someone wearing a Corn Man shirt, one day in Houston and someone wearing a Corn Man shirt.

Then, how can I make a collective like, this is an important issue. This is something we can all do. And it just popped in my head, let’s make a day of it. And initially, of like, let’s throw a festival, let’s throw a party because music is a big part of what Corn Man is doing. That is still the goal.

But with everything in the world where it is now, that wasn’t really an option. Plus, let’s be honest, that’s expensive. You’re kind of excluding people from the start.

Because if I put this festival on in Los Angeles, we’ll have people that wear the shirts in Seattle or Ohio, I really thought let me take the best part of social media, the bringing things together.

Let’s put on a festival a day, you can share from wherever you are. And I wanted to pick three hashtags that everyone can use.

As luck would have it, the hashtags, International Corn Man Day and Corn Man Day, there wasn’t anything. The hashtag Corn Man, there are a lot of people that use that for various things, mostly vendors selling corn, but I wanted to kind of flood that stream.

So if you go on Instagram, and you search the hashtag, International Corn Man Day. It’s going to be all pictures from people posting their photos of trying to get involved. And that’s kind of the inspiration came from the book.

I want to generate more energy. And I wanted to have a cohesive place that we could all go to and celebrate this and take action simultaneously.

Brian: So really great idea. I found that one of the things that really assists in managing your own energy when it comes to creative projects like this is having a good team. And you’ve got a team put together that you put together to put to do chapter one that’s been your yourself, your wife Deirdre, who’s helped out with the story writing and then for illustrations, you have Andy Westhoff, they’re all back for chapter two.

Tell us about how you all work together?

Charles: Well, you’re absolutely right. Having a team, a good team is crucial. And I’m lucky that my wife, who is an amazing writer, she hopped on board to help with the writing of chapter one.

Since the story was getting deeper and more involved, it only made sense to have her kind of take the reins with chapter two as well. She wrote a big part of that her and I will come together, outline storyboard the ideas.

Then she would write a draft. We’ll look at that, see how that goes. But a lot of that was her doing on our own.

And Andy Westhoff, the illustrator I’ve known. I have the best friends with his brothers in sixth grade. So I knew Andy from that and you have friends that like oh, yeah, my brother, he’s an illustrator, he draws.

Everyone has something like that in high school or as you get older, they usually stop doing it. But in Andy’s case, he went on and pursued it and is a great film editor, a great cinematographer, in addition to being an illustrator.

So I just asked him for chapter one, hey, first of all, can you just draw my head on a stock a core, let’s take it from there, see what that looks like. And when I saw how well he did that, and the response to that it made sense for him to do the illustrations for chapter one.

Then I brought them back for chapter two.

My goal is to bring him back for chapter three. And my wife and I already have the story outline for chapter three.

So it was really important though, to get chapter two the paperback version out to the world because to me, that’s like the final thing. The final stamp. The final period on chapter two is complete.

Let’s move on to chapter three. I didn’t want to release another incomplete part of the series.

Brian: Going out and writing a book, which is funny because you didn’t come at this directly. As an author, you came at it as a musician and the music. And the storyline behind the music led to the book, Is that right?

Charles: Yes, absolutely.

Brian: I’ve never been an author or a writer directly myself either. And so, I just recently came out with my first book, and it’s quite a learning experience coming out of with the first one, but congratulations.

Charles: Well, thank you.

Brian: Going through it all, I can see that coming out with a second one would be a lot easier. Did you see that, in your situation?

Where you guys after you had already gone through the process of doing the first one, did the second one was it more plug and play?

Charles: Yes and no.

Definitely more plug and play from you knew the roadmap of where you’re going, you knew what the end look like, know from the standpoint of now you have history attached to it.

Now we have to make sure we are introducing a character or making a point that is in line with the same point we made chapter one, making sure the cohesiveness was the same. And that was a bigger challenge.

And that’ll be the bigger challenge with chapter three.

Because now we have two chapters, more characters, I want to make sure that Bonzo the dog still looks the same as he did in chapter one as he does in chapter three.

So from one perspective, you’re absolutely right, it is a little more plug and play and the counter that be but since you have the history of your first book, are we not repeating ourselves.

Are we saying something new? Are we making sure we’re in line with our message?

So, little of both.

Brian: As a follow up to that? Did you hit any unexpected snags a second time around going through chapter two, both in the actual writing and the putting together and the publishing?

Charles: Yes. From the writing standpoint, I am a big believer in working with people and having people on your team, that I want them on my team because I trust, their input and their creativity and what they bring to the table.

I’m not a fan of being micromanaged and I don’t want to do that. So with chapter two… chapter one is fairly short is only 17 pages or so chapter two is close to 40 pages, the story gets a little deeper.

But when Deirdre and I outlined it, I kind of said, All right, just go and come back with what you have. But there were a few things that she wanted the story to do, that I wasn’t totally sure on. So we butted heads a little bit on that.

And I had to step back sometimes and be like, Well, wait, am I not a fan of this idea?

Because I’m truly not a fan of it, or am I not a fan of it because it just wasn’t what I was thinking?

Let me really think about this and does that make more sense for the story?

So that took some checking on my part to be like, Well, where is the I don’t like this coming from. And we work through that.

The second part with the publishing, we hit some snags, it’s taking a little longer to publish. The first one really, we just published through Amazon and it was you upload the book, they say they review it.

And in my like, I thought they’re being polite when they say we have our review team looking at it. I didn’t really think there was a review team.

I mean, for chapter one, it was like, you hit publish and two hours later it’s published. But for chapter two, there’s a real review team and we’ve gotten, you know, can you fix this, this margin doesn’t look right here and like, okay, so we weren’t expecting that snag.

But I should have thought ahead to with the whole COVID-19 thing. All things are behind, I was working with a band where they want to release a record and the distribution company is like well expect eight weeks longer to get it out than before.

So that’s a part of it, too. But yeah, a couple hiccups.

But as you said, it’s how you learn. That’s how you grow and that’s the beauty of it.

Brian: And good thing to bring up because I’d like to hear more about how has the situation’s of 2020 we’re recording this in September of 2020.

How have these situations affected you in your life and your work?

Has it had a huge impact, or have you been able to kind of work around it all?

Charles: It has had a enormous impact on the drumming side of my work because a lot of that was gig show tour based from usually April to October in the last five years, I was on the road with various bands doing that sort of thing.

So when everything shut down in March, all gigs were canceled for the next few months.

And now we’re in this weird place where it’s still some things are open. Some things aren’t. It has gone away, but it hasn’t gone away.

Like we’re just in this weird flux.

I always kid with my friends. I’m like I remember March and April. I don’t remember what happened in May or June and somehow we got to September.

So I don’t know if it really affected the musical gig aspect in a big way.

But as you mentioned earlier, I do write music for TV. So I was able to focus on that but it also accelerate the whole corn men project I was not expecting to have International Corn Man Day, in February of this year that was not on the radar.

I was not expecting to get Corn Man Chapter Two on paperback out so quickly.

That wasn’t on the radar and I certainly wasn’t going to have a release date for chapter three at the start of this year.

So because of the whole COVID-19 thing, what have I been putting on the back burner because I have all these other gigs. It’s been Corn Man.

You try to keep the Corn Man going. But if I’m on the road and Tulsa, Oklahoma, it’s hard to write or schedule a record. But because of everything that transpired, I was really able to focus and just get that done.

It really illuminated even more, this is what I want to do. This is my passion. No matter what happens with music, gigs, I’ll still play with other bands and stuff.

But I want to be playing my own music as much as possible. I want to be writing these stories as much as possible, I want to be doing corn man shows as much as possible.

And I don’t think that was a reality in my head February of this year.

Brian: Fabulous, great that you have the flexibility to be able to shift as a situation comes about so many people out there are tied to just one thing or one source of income or anything else and they found themselves paralyzed over this scenario.

What are your thoughts are in terms of what actually happened, it affected everybody in some form. So kudos to you for being able to keep your head above water.

Charles: Well, thank you for that. But you touched on something, you hit the right words at the parallelisation there was a month and a half where I wasn’t sure what route to go, I was lucky because I my wife was able to work from home.

So we still had the one income stream coming in. But that was a transition.

But for the first six weeks, I was like really questioning, is music a viable way to make a living anymore?

Is that gonna be something I want to do and it took some doing?

Be like, Well, wait, what’s gonna happen?

Yeah, it’s been interesting.

Brian: Very inspiring. Very cool. Um, tell us a little bit for those people who are brand new to Corn Man or need a refresher? Can you tell us a little bit about the storyline of chapter one? And how that feeds give us a little preview of chapter two?

Charles: Absolutely. I got super interested in the food industry back in 2015. I was on tour as reading some books on the food industry and corn just kept popping up everywhere I was reading and how this one crop had infiltrated our entire food stream, it became the replacement to sugar.

It’s just a cheap filler in a lot of things. And I’ve said this before, it’s nothing against the actual crop of corn as a vegetable. I love it. I think it’s really good. And I feel for the farmers that have to grow it in these tough situations.

But for some reason, the corn inundating the food system, the livestock feed, all of that really did something to my brain. And I wanted to bring more awareness to the issue because there’s more and more research showing that things like type two diabetes and childhood obesity is directly linked to these foods that are filled with processed corn.

It’s actually becoming a pretty big health problem. It’s getting harder and harder to get that stuff out of the food system. So I think it’s our job to just stop eating those things.

So I decided let’s try to get more awareness to issue a created the Corn Man project as a three song progressive rock EP, and my buddy Andy Westhoff illustrate my head on a soccer corn.

Then I got the idea, let’s write a children’s book to hopefully bring some awareness to this issue.

So the children’s book follows Bonzo the dog and Beaker the cat, and their human owner who looks a lot like me, has a bad dream, you can say and kind of goes off the deep end.

And he gets lost for lack of a better word. But his bad dream nightmare stems around corn and he figures out that corn is just an everything he’s eating and he kind of loses his mind. But he goes missing. So that’s chapter one.

In chapter two picks up Bonzo the dog and Beaker cat. His pets have to go find him and essentially rescue him for chapter two. He stumbled his way into Corn Inc. Headquarters.

Now he doesn’t know why he is there. He doesn’t know what’s going on there. But that’s where chapter two picks up. And now his dog and cat have to rescue him, but they run into some obstacles, they’re going to need some help.

We find that Corn Inc, does a lot more than just the title implies with corn. So we go down this entire rabbit hole the journey continues. And that’s where chapter two picks up.

Brian: Have you thought about how or what age group your book hits at the best?

Charles: I’ve thought about that a lot. I really have. I think we’ve found the best age group is the 10 to 14 age range really seem to grasp the message of what we’re saying.

I read it at the Mother Earth News Fair, where we first met last year and that was a younger demographic, and they resonated with the industry.

Because they’re goofy, and they’re funny, but I don’t think the seriousness of the nature of the story took hold. But that’s okay.

I think a lot of books that are targeted towards children do have an adult message to them as well. And also kids are really smart kids understand a lot more than I think we realize.

I teach drum lessons as well, and I’m always amazed at how smart these kids are at 10 to 12 years old. And I think to myself, I was kicking a can down their street and these kids are, you know, playing complex drum grooves, figuring out how to navigate a smartphone.

I’m just like, wow, okay, like, it’s crazy. So, I do think that 10 to 14 year age group is probably ideal for the Corn Man book.

Brian: On top of that, you had put out an audio book version of chapter one, where you tie in the music and the illustration. Well I mean, if you’re watching it on YouTube, you’ve got the illustrations with the music, if you’re listening to it, you got the music and the narration going along with it, and you do a great job narrating it.

Charles: Oh, thank you.

Brian: Are you going to do the same thing for chapter two?

Charles: Great question. I want to, I’m not going to yet.

Because for me, I think chapter one audio book did well, it has some views. But I want to focus now on wrapping up chapter three story, because actually, the chapter two ebook version came out last year, but even that hit with a really soft landing, because not a lot of people use Kindle or ebooks as much as I thought they did.

For myself, it’s like I read a physical book or I listen to audiobooks. That’s kind of the two things and so you bring up a really good question with am I going to do an audiobook for chapter two and three, I think I will at some point, my hope is, I can do it after chapter three comes out.

That’ll be the last kind of step to that. But also with chapter three is going to be a package deal where you will get chapter one, two, and three, as a compilation with the book,

I’ll probably release chapter three music on vinyl, and CD as well. So I’m really looking at more of a completed set with all of that.

Brian: That’s awesome. What do you see in the distant future beyond chapter three beyond getting that whole set out. Is there any other concepts in the back of your mind that might be simmering that might turn into something, anything that you can let us know about?

Charles: Yes, there are definitely ideas simmering.

Part of me, I’m fighting my own brain. Because there’s a part of me that wants to write the music and the book, chapter three, get that released. And think about, do I want to do another solo musical project away from the whole Corn Man thing?

Can I just write music without this grand theme and idea?

And I need to see how I feel when this is done.

Because I think I may just be overthinking it, I think I do have a really unique opportunity because I’ve created this entire backstory in a world. And it would kind of be advantageous to continue to build on that.

So when chapter three is over and done, and that story is done. It’s definitely the door open to side ventures of the different characters and and continuing on.

But as far as once these are released, what’s next for Corn Man, I do want to start playing the music live at shows?

And I think I’ll start more with a drum festival type things to start with maybe like Mother Earth News Fairs where they have a stage, but it’ll be I’m going to hire an animator to do a visual.

So it’d be more like the cartoon of the Corn Man story behind me. As I’m just playing drums, I’ll be playing the drums to the music. And that’ll be coming out through the PA reading the message that way.

I want to start partnering with community gardens in my area nationwide. Because that’s another big aspect of the Corn Man project, I really want to encourage you to start growing their own foods.

And myself, I live in a four plex you know, we don’t have our a lot of space. But we have enough space. I mean, I’m growing some tomatoes and lettuce, but I want everyone to start trying to grow their own food.

I want to build a community garden aspect of it.

Because to me, those are the bigger takeaways from the project away from the the arts, part of it the arts and music is definitely like I want to encourage kids to pick up an instrument, read a book, paint whatever get involved in the arts. And my hope is that they can watch and hear the corn man story and get inspired to do that is to growing your own food and you can rely on the box stores deliver everything for you anymore.

I mean, I live in California if there’s an earthquake that puts a gap in the five freeway, the size of you know, a two foot gap that’s gonna hold and hold food delivery for days.

So we need to be able to become a little more self sustaining. And that is my goal. Also with the Corn Man project. I want to encourage to be growing their own food, planting their own food community gardens.

So that’s what’s looking forward after chapter three as well.

Brian: Wow, that’s great, grand ideas, but that’s the type of thing….if you’re anything like me, you have to have something larger to be able to look forward to, in what you’re doing. It’s got to be meaningful. It’s got to have purpose to it. And that’s what I think is so inspiring about what you do.

Charles: Thank you.

Brian: Is there anything that I didn’t ask you that you’d like to answer?

Charles: No, I would just like to say thank you, again, for having me on your show. I know, we touched briefly on this before. But to your listeners out there, you provide such a valuable service, your interviews are great.

I enjoy learning about the other guests, but also your own segments you put up on Instagram are fantastic. I’ve recommended to a handful of people I work with, hey, check out Brian’s business tips for this because, you know, I thought it was really helpful.

How you are able to package your ideas. And I think you put it in such nice bite sized chunks that you can hear the information, digest it. I can write down how I want to use it and move on, I think is great.

So I just want to thank you for a having me back on and be the amazing work you’re doing.

Brian: Thanks so much. I really appreciate that.

Charles: Absolutely.

Brian: Why don’t you let the audience know how they can find out more about Corn Man and your adventures?

Charles: All right, well, you can find Corn Man at CornManOfficial.com. We have a new website, two months old. Everything Corn Man related there.

You can hear the music. You can see the books. You can listen to the audiobook. So CornManOfficial.com.

You can find Corn Man on Instagram @cornmanofficial. And Facebook, The Real Corn Man.

But I will say most of the social media stuff takes place on Instagram. I prefer that platform as of now. But yeah, CornManOfficial.com.

Brian: Fabulous.

Well, Charles Wiley, thanks so much for being back on the Off The Grid Biz Podcast. We’ll have to do this again sometime.

Charles: Thank you so much, Brian. appreciate your help. Stay safe.

Brian’s Closing Thoughts: This is the first time we’ve had somebody return back to the show, after a year’s worth of time. I can tell you that just my memory of the original show, the original conversation we had with Charles, I like this conversation better. I think we got to a lot more, although we needed that first one to really get to know him.

And this one, we got to go a little bit deeper.

There’s some great things he brought up here that I can go on and on about, but I’m just gonna point out a few.

One thing is he was talking about using this one day a year to just build awareness. I mean, that’s really what he’s all about anyway, so his entire core man project is about building awareness.

If you can take that same concept and see, okay, if I can make people aware of one thing that would help my cause or my business, or what have you, what would that one thing be?

All he did is he focused on that, on that one thing of building awareness.

And then he said, What’s one small thing you can do to reduce the use of processed corn?

He just kind of built out a list of simple things that people can do, wearing this t-shirt out in public and taking a picture of yourself and put it on social media. I mean, for one thing, he’s getting himself promoted, he’s getting his project promoted.

But on the other hand, he’s also causing people to put themselves out there and put themselves to be asked, hey, what’s that? What’s Corn Man? What’s that about?

And just starting conversations with people like he said, sparking the conversation.

These are real simple steps for people to be able to take part. And if you’ve got a cause behind your business, or a cause behind what you’re doing, that’s a great way to get people started, just have them try something out, have them do something simple and easy for them to do.

Another thing he mentioned is while writing the book, having issues, you know, back and forth with his wife, as we’re putting together the story and everything, and that plays to any partnership issues that you’re going to have.

If you have any form of partners whatsoever in your enterprise, you’re going to have conflicts, and you got to come back to that same place and really ask yourself, which is I think pretty much the question he’s asking himself is, is this an ego thing?

Is this about me, or there’s a reason why I think this way?

That’s an important step to get to in your life and something that can help you out if you can see that coming. Or when that finally shows up. If you can remember just to pull back and take a walk, step away from it. And just ask yourself, what is this really about? What’s this fight really about and so forth.

Overall, the thing that I really appreciate about Charles is his willingness to grow and learn. He’s not kept in a box. He’s willing to take things wherever they’re going to go.

But at the same time, he’s willing to learn, he realizes he doesn’t know everything about this process. He doesn’t know everything that he’s going to do or how he’s going to do it. And he’s willing to open himself up to new ideas and new ways of putting the message out there. I really like Charles’s attitude. I can’t wait to talk with him more in the future.

Charles Wiley – Corn Man

Charles Wiley
Corn Man

Episode 23.

Who is Corn Man? Is he a music album, a children’s book or a way to expose where our food comes from?

Charles Wiley is a lifelong musician who was caught off guard by one of the best-kept-secrets in the world of nutrition today: the amount of corn byproducts that are artificially added to EVERYTHING.

Hear host Brian J. Pombo and Charles discuss how his art form has been inspired by his mission to inform. How can you use the Corn Man to stand-out in your crowded market? LISTEN NOW!

Find out more about Charles Wiley and Corn Man: https://charleswiley.net/cornman/

Find out the business events secrets for growing and strengthening ANY company: http://brianjpombo.com/secrets/

Full Transcript

Charles: Dovetailing back when we talked about before, I was like, how do I separate myself in this market of a million musicians, a million bands a million this and it kind of all kind of came together coalesced and here we are.

Podcast Intro: If you’re someone who refuses to go along to get along, if you question whether the status quo was good enough for you and your family.

If you want to leave this world better off than you found it and you consider independence a sacred thing.

You may be a prepper, a gardener, a homesteader, a survivalist, or a farmer or rancher, an environmentalist or a rugged outdoorsman.

We are here to celebrate you whether you’re looking to improve your Maverick business or to find out more about the latest products and services available to the weekend rebel.

From selling chicken eggs online, to building up your food storage or collecting handmade soap.This show is for those who choose the road less traveled the road to self-reliance for those that are living a daring adventure life off the grid.

Brian: Charles Wiley he has been writing music and playing drums for 25 years, he currently lives in Los Angeles and plays with various bands and artists, including rock band Dark Horse Rising, Riot award winning singer songwriter Chris Angeles and Americana Band Circus 62.

In addition to playing drums, he also writes music for television.

His music has been played on Oprah, Dateline NBC Late Night with Seth Meyers, the Dr. Oz Show, The Young and the Restless and more Charles created the corner Man project to bring awareness to how much corn is in everything we eat.

Corn man is an ongoing action adventure children’s book series and progressive rock concept album. Charles was inspired to call attention to the issue using music and humor.

Corn man hopes to be the conversation starter and tackling the complex issues surrounding the food industry, the environmental impacts of it and the unsustainable nature of how we eat and grow food. Charles Wiley, welcome to the off the grid biz podcast.

Charles: Thank you so much for having me. Pleasure to be here.

Brian: So besides what we heard in your bio, tell us a little bit about who you are or what you do.

Charles: Okay, well basically, as a bio said, I’ve been drumming for over 25 years and for the last six to seven years, I’ve been a full time musician, make my living playing drums in various bands, some of the bands you mentioned, doing session, work with other bands, writing some music for TV, and then also I guess, the Corn Man project is kind of dovetailed its way into that.

And between those three things, that’s kind of how I kind of break up my time.

In between projects, I had this desire to start creating my own music, writing my own music, and from there kind of morphed into my own solo stuff. And then the core main project kind of started coming about because of that, so

Brian: Fabulous.

So how did you end up at this point in your life?

What’s your life story?

Charles: Well, long story very short.

My background in music is very common to musician. I played in bands growing up. I was lucky, my dad’s a musician. He still teaches guitar in his retirement.

My older brother plays his guitar.

So him and I, we always played in bands. And my goal was always to be a full time touring musician, you know, writing and recording doing that thing. So that’s been my goal.

I’d say about eight or nine years ago, it kind of deviated from having my own band to kind of working with other bands. And I kind of became a sideman in that realm and really enjoyed that.

But I always had this desire to create my own music and things. Rewind I’d say a about four or five years ago.

My wife and I were kind of doing some research on trying to eat healthier kind of change our lifestyle because we bought a Costco membership and I got very excited about all the food there and bought too much and ate too much and gained a lot of weight and wasn’t Costco fault.

But um, I was just like, I want to do something to kind of change the way we’re eating and it started with the book, Forks Over Knives from there kind of dovetailed into the book The Omnivore’s Dilemma, Foodopoly.

I just really became interested in the food industry, the food we were eating, and what it was doing to our bodies, and I was on a three month cruise gig, where I was the drummer in a cruise band.

I was reading the book Foodopoly, it was talking about the various ways we raised food and things like that and It was actually making me sick reading it, because you know, you’re trying to I was reading, I was eating lunch, you know, trying to reading about the food industry.

I was like, Oh gosh, I don’t feel good.

But for whatever reason, corn just popped out at me as this thing that was in virtually everything we eat.

Now, as you know, it’s in the fuel we burn as an ethanol and things like that. And I just became kind of obsessed with how did corn become this thing?

How did how did it turn into this kind of juggernaut that’s in everything we eat?

So I wanted to bring awareness to the issue.

I thought, what, how could I do that, you know, being a musician, obviously, had to be involved. But I’m not a big fan of when people try to persuade you with new information and they kind of bleed with it, you know, kind of hit you over the head with it.

So I wanted to do that in a fun way, where it would kind of engage people.

Evidently, drawing my head on stock of corn is one way to kind of bring people’s defenses down.

You know, they’re like, what is this all about?

As you mentioned, in the intro, I came up with the story.

My wife and I wrote the book series together, I wrote all the music, I hired musician friends to play on it. And we basically just wanted to get this conversation going, you know, because as you know, I’m sure there’s, I think over 50 or 60 ingredients that are all corn based that are in most of the food we eat on a daily basis.

The studies are coming back that it’s the health implications for kids and adults and the planet on top of that. It’s just kind of astronomical that kind of brought us here.

Brian: Oh, fabulous.

Was the concept of the book first or was the music album first How did that transpire?

Charles: I want to say the music was first the music came first and then I tend to kind of have a lot of ideas.

I kid with my wife because I think all my ideas are great obviously you know and but it’s when an idea sticks in my head and I keep chewing on it and I’m like and the idea of the artwork came with the music and when I saw my head on a stock of corn and the artist

Andy West off a buddy of ours who did that when he drew it I was like, Man, that’s so funny that looks at you know, and then I was like, let’s do this story.

The music came first the story came second. And as of now chapter one and two are out for the music and the ebooks, but Chapter One is the only one that is on paperback.

Chapter Two is coming out in paperback hopefully by the holiday.

Brian: I originally got to see you at the Mother Earth News Fair in Albany, Oregon. And you had a booth there you had your your first book there you had your music.

What led you to putting this out on display like that?

What tied you in with the Mother Earth News Fair specifically?

Charles: Great question.

Well, corn man is kind of a difficult, difficult concept to explain.

Everyone talks about you know, you need your elevator pitch. Give me three or four sentences on what this is.

I tell people it’s a action adventure kids story and a progressive rock concept album and they’re like, those don’t go together.

Long story short, I was trying to find it I still am in the process of trying to find best audience to get the story out to. And I was reaching out to some radio stations for promotion for corn man, and came across a radio station in Portland.

They basically said if you’re in the area, we could probably get you on the air can get you an interview and I was like, oh, shoot, okay, I need to find something.

I was looking and I knew of Mother Earth News Fair for a while. I knew of their podcast, and then I saw they were going to be in Albany, Oregon, and I was like, Huh, okay.

My in-laws live about three and a half hours south of Albany. So it all just kind of made sense to just go there and test the waters with the Mother Earth News Fair attendees because you know, where I met you there.

So many of those people there are already involved doing things to for sustainability, conservation, all that stuff. So I knew in that aspect, it will would work, they would relate to it. But am I already telling them stuff they already know, you know what I mean?

It’s like so we just went to check it out. The response was great. You know, we talked to a lot of amazing people, yourself included. And it just became a nice kind of…that was the first major fair we went to.

So we had a good time that the turnout was good.

Brian: You plan on doing any other type of live events like that?

Charles: Yeah, I hope to do maybe once every couple months or so.

And then the thing I really want to start doing is, at the Mother Earth News Fair, I read chapter one at the kids stage they had there, and the audio book is coming out in a couple months.

That has a soundtrack that I wrote to it.

So I had that soundtrack playing as I read the book live, and I want to start going to schools and I want to start doing maybe like an hour, hour and a half demonstration.

Hopefully that the ideal is to play two or three songs off the record where I can play drums live with in front I think the class and then read the story at the fair, I think you might have saw we had like the the word search they can take with them that shows and just get that conversation started.

I remember when I was a kid, like if I got the bit in my teeth about something, I would nag my parents to know and like, hey, let’s do this, let’s do this.

So the goal is to get the kids involved and they can go home, and they can start looking at the ingredients, they can start looking at the food and, you know, helping their parents shop.

I’m not a parent, so I don’t know if that’s gonna be fun for the parent or not, but um, but that’s the goal.

I want to start going to more schools, I want to start doing more fairs and I want to start playing this music out live with a full band. That won’t be probably till next year.

Commercial Break: Okay, we’re going to pause the conversation right there. What you’re listening to right now is a special edition podcast.

These episodes all have to do with the Mother Earth News fair in Albany, Oregon of 2019 at the time I’m recording this, we have learned so much about how to take advantage of events and I want you to be able to use this information in your own business.

Go to BrianJPombo.com/secrets.

We are going to be putting out helpful materials on how you can use events to grow your business.

When you go to this page, you will either see our latest programs or if you make it there early enough, you will see an email address, capture page, put in your email address and we will be sure and update you. As soon as we get these out there, you’re not going to want to miss this.

If you get in early enough, you can get a special deal. These are principles that never go away. These programs will be based on the experience of people who have written books, spoken at the events or exhibited.

They’re talking about how to use events, books, and speaking all to build your business.

That’s BrianJPombo.com/secrets.

BrianJPombo.com/secrets and now back to the conversation.

Brian: What you’ve heard weaved in and out of this episode are quick little selections from Charles Wiley’s corn man album. You can find out more at CharlesWiley.net/cornman.

Music

Brian: So what age group do you think’s ideal for this?

Charles: You know, I do think it’s gonna kind of following the 10 to 14 year old range for the younger kids. I think they were related to the illustrations, the story is a little, I don’t wanna say dark. But I think that that 10 to 14, 15 year old year old range is going to be really good. And it’s also for adults too.

I’ve had some adult friends say they liked the story and all that stuff.

The story is basically following a dog and a cat as they go on an adventure looking for their owner who goes missing. And in-between all this, there are these corn facts that are being, you know, put into the book.

The reason why the owner went missing has to do with corn. So it’s just kind of a fun way to kind of get the whole family involved and talking about it.

Brian: Very cool.

Is there any other way that you’re finding new customers for the Corn Man series?

Besides doing a fair like this or going to classrooms?

Have you found any other way that you’ve been able to reach people so far?

Charles: It’s kind of been a combination of all that, you know, going to fairs obviously, being on social media.

You can go to CharlesWiley.net/CornMan.

And I have a Facebook page that’s for Corn Man and Instagram page for Corn Man.

But a lot of it’s just been word of mouth, grassroots. And I’m okay with that because I find talking to people in person or over online or whatever about the project in more depth is kind of the best way.

You know, it kind of slowly gets them involved.

And as I said before the elevator pitches kind of convoluted. So having a 2, 3, 4 minute conversation with someone about it has really been good.

Between the fairs, the social media music angle, we’re reaching quite a few people. So it’s been good.

Brian: Oh, that’s great.

So you’ve got the album, you’ve got the book, and now you got the audio book, which is a great hybrid between the two. That’s a really neat process.

Do you see anything else? And I see you have a couple t-shirts in the background.

Charles: Yeah.

Brian: And besides that, what else do you see in Corn Man’s future.

Charles: I’d like to finish up with the kids story aspect of it by next year, I think three chapters is going to kind of tie in the story together.

After that, though, I kind of see it being an ongoing project where I’m performing the music.

We’re kind of dovetails into education, slash music, slash reading, and basically just kind of going to events, going to schools talking about it, I really want the project to help kind of get that awareness out there, kind of get that attention to the issue.

We’re not villainizing farmers in any way because I think their struggle is is incredible what they have to go through and all that stuff.

But it’s all about the awareness to a while there’s corn and like everything we eat.

Be wise, there’s so much corn and everything we eat and see what can I do as a consumer to help that and I think that’s just going to be a ongoing thing for you know, hopefully the rest of my life.

Brian: So if we were looking at years ahead down the road.

What do you think would be an ideal scenario to come about?

Like if this was just a runaway hit?

I mean, you get cartoons, movies, whatever else. If it could just be as big as you could possibly imagine. And it gets the proper attention that you want and people start waking up to this idea.

What would be a great thing to for you to see change out there?

What’s something that’s measurable that you can see happening?

Charles: Wow, great question.

I think what I would start to see is a everything you mentioned.

I would love to see it turned into a movie, I think an animated movie, that’d be awesome.

I would love to perform this music to it live on stages, either with the animation movie behind it, or even some live theatrical representation of it.

So for the entertainment part of it. That’s kind of the goal.

Large shows festival goals, things of that nature, performing the music would be great.

But for the impact of how do I know, this is making a change?

How do we how do we know?

I think it’s kind of multifaceted. I think one way is we’re going to start to see changes, and hopefully reversals in type two diabetes and kids and obesity and kids.

For the first time we’re seeing this stuff I just heard to where I think if we continue down this path, the youngest generation is going to be the first generation in a long time, not to outlive the previous generation.

You know, so seeing reversals and those health trends, I would like to see more community gardening, farming, that sort of thing.

For myself. I thought food came from the fast food joints.

I thought food came from the grocery stores, you know, it’s like, that’s just what I was accustomed to.

But I really wish there was something in my school when I was growing up saying, No, this is how you grow your own food.

This is where that stuff comes from a return to having a vested interest in our food.

I would like to see a change in that, you know, I would like to see, the big corporations are financing all this stuff, I think the biggest indicator is will see those brands start to shrink.

I think their foothold in the market will start to shrink. It’s already happening. And some rounds.

I mean, when you have a, you know, these huge corporations buying, these Mom and Pop organic places, not to be facetious, but they’re not doing it because they care about organic, they’re doing it because they can make money, so it’s like it got enough attention.

Yeah, I hope that answered your question.

Brian: No, that’s great. That’s great.

What are the main obstacles standing in your way of being able to do that being able to expand this corn man project?

Charles: I think one of the obstacles is kind of trying to find the right audience for it.

I think that that’s been a challenge.

But I also think it’s been a good learning lesson for myself because I’m figuring out who needs to hear This message and I can only use myself as an example.

So I’m using what gets me excited about things to kind of try to brand it to kind of market it. And yeah, I just think over time, it’s going to start to kind of gain momentum and build, build, build and build and with people like yourself, reaching out and being so kind and helpful and spreading the word, I can’t thank you enough, but individually like yourself as well, who’s helping build the momentum?

Brian: What advice would you have for people that come from a creative background like yourself that are going into building kind of a larger project like this?

It’s almost a business entity unto itself.

What advice would you have for people like that?

Charles: I think you hit the nail right on the head.

It is a business and a thing on the creative aspect is keep the creativity happening, that keep that inspiration going, and don’t get bogged down by the details.

You know what I mean? It’s like, and don’t be afraid to work with people, that are going to help.

That’s one thing I really had to learn.

I’m still learning about but it’s like, I think I read in one of those business investing or small business books, like 95% of all small businesses fail because the owner tries to do everything themselves selves, it’s being okay with relinquishing control because this company can help expand the brand or get the word out because that’s their specialty.

That’s, you know, my specialty is coming up with weird concepts, writing the music, playing drums.

That’s my thing.

It’s like, so my advice would be to anyone starting this, keep creating and use the business side of it to channel that creativity to because in today’s market, and the music industry is flipped completely on its ear compared to the way it was 20 years ago.

So you have to be okay with that.

You can’t cry about what was you just got to pick up and be like, this is the reality of it.

How do I make it ago?

How do I make it work in today’s day age and just keep going?

That’s all I can say.

Brian: That’s great advice.

I’ve never quite seen anything quite like the Corn Man concept.

So have you? Have you done anything like this before?

Have you seen anything that has inspired you to go in this direction?

Or is it just kind of taken on a life of its own?

Charles: I don’t think I’ve seen anything, I guess food related in this way? No.

I will say there are bands that have followed that they do concept albums and and they have themes, and some of them do have a pretty big footprint in a cause or a foundation.

But there wasn’t one particular band or anything that I was looking at for inspiration.

Basically, I just had the ideas and then dovetailing back to what we were talking about before I was like, how do I separate myself in this market of a million musicians, a million bands a million this and it kind of all kind of came together coalesced and here we are.

Brian: Wow, that’s really good point that differentiating yourself in just the sea of musicians out there that are trying to cope with the change in the industry and everything that I was hoping you touch on that, that you it’s really cool that you can see that about yourself and that you’re taking it that direction.

That’s very cool.

Charles: Thank you so much. Yeah.

Brian: What could a listener who’s interested in finding out more about corn man and the whole project?

Where would you suggest they go?

Is it CharlesWiley.net/CornMan?

Or do you have anywhere else you send them?

Charles: That’s kind of the hub. That’s my website and that CharlesWiley.net/CornMan will give you all the information about the quarter man project.

There are a couple of videos up talking about its release on paperback.

There’s some video of me drumming to some of the songs there. There’s links to buy the book, by the music, all that stuff. And you can also just get in contact with me. You know that way too.

But yeah, CharlesWiley.net/CornMan should have everything you need right there.

Brian: And there’s new details out coming all the time. I mean, with your new audio book coming out, I saw that on social media before we met here.

So it’s really neat to see, you’re always trying something new. If you’d like, we’d love to have you back on the show another time and find out where Corn Man takes you from here on out.

Charles: Oh, that’d be great that’d be awesome. Yeah.

Brian: Charles Wiley, thanks so much for being on the Off The Grid Biz Podcast.

Charles: My pleasure, Brian, thank you so much.

Brian’s Closing Thoughts: Soon as I came across Charles at the Mother Earth News Fair, he really stood out.

Obviously, what he’s offering is something that you’ve never quite seen before, which I think is really neat.

One of the most important pieces that you can take away from this is the concept of having a cause tied in with your business somewhere somehow, if your business isn’t already a cause unto itself, as The Corn Man project has been for him, then you need to find a cause you need to find what makes what you’re doing important beyond the relationship between you and your customer.

What is the big idea?

Obviously, Charles is relating this back to World Health.

So that’s a big idea. That is something that is major and talking about the proliferation of corn into our entire lives.

These are big concepts, and not the type of thing that would normally be handled by a children’s book or any type of musical piece.

I love the conversation we were having about finding the audience. So obviously, he’s come up with a product, he’s come up with a concept he’s come up with something that can go on to many different formats already.

He’s gone from musical pieces to children’s books. Two coloring books.

Now to audio books, this can translate into multiple media’s, which is cool, but really finding that audience is so important. And this ties into so many of the things that I’ve talked about with people.

Ideally, most of us never do it this way.

Ideally, it would be great if you can find your audience first, and then produce a product or service that would help them directly.

The finding of the audience is such a difficult, painstaking process and you could hear Charles going through it.

But it’s cool that he is and I can’t wait to find out who the audiences are that he’s able to truly connect with in the long run.

The neat thing that he has a handle on is that differentiation that we were talking about being different standing out, doing things that other people can’t possibly do, in a way that they can’t possibly do them in media.

Mediums that no one’s using for these purposes, he’s willing to do that, that he can see that that’s his true value to the marketplace and his ability to stand out.

I mean, just the picture of his face on a piece of corn makes a person stop and say,

Okay, what is this?

What’s going on here?

It’s really great. How are you channeling the creativity in your business?

How are you really putting it on the line?

And doing something that’s so unique, that it causes people to stop and say, Okay, what is this?

What are you talking about?

What are you offering to do?

These are good questions to have. These are the ways that you get attention in your market. And when you’re really out there looking for the ideal audience for your ideal customer or client.

You really got to be willing to look outside the box like Charles is doing, he’s willing to go to events like the Mother Earth News Fair.

While at the same time having readings in classrooms. I mean, he’s going all over the place, it seems that he’s really willing to do anything which is a great attitude to have and something I think we can all learn from.

Can’t wait to find out more about corn man’s adventures in the future and really see where this ends up taking them. It can go in so many directions.

So really exciting to see something like this out there on the market.

Outro: Join us again on the next Off The Grid Biz Podcast brought to you by the team at BrianJPombo.com, helping successful but overworked entrepreneurs, transform their companies into dream assets.

That’s BrianJPombo.com.

If you or someone you know would like to be a guest on The Off The Grid Biz Podcast, offthegridbiz.com/contact.

Those who appear on the show do not necessarily endorse my beliefs, suggestions, or advice or any of the services provided by our sponsor.

Our theme music is Cold Sun by Dell. Our executive producer and head researcher is Sean E Douglas.

I’m Brian Pombo and until next time, I wish you peace, freedom, and success.